Saturday, 17 November 2018

Inside View - Nemo's Memories by Kerstin

Hello crafty friends!

Maybe you can still remember my last book shadow box
 'Octopus En Vogue' with the awesome 
  Today I would like to show you the interior design. 
The background was created using a decoupage paper with old maps, which 
I think is very suitable for Captain Nemo, a very famous fictional character by Jules Verne, and his adventures.
I wanted to create a gritty and dripping atmosphere.
 
So I used a lot of Nautical & Seaside wood shapes from Calico Craft Parts
in combination with some of their steampunk shapes.



 Calico Craft Parts used:


on my detail photos you can find all these wonderful pieces staged beautifully






with Metallic Lustre 'Gold Rush' from DecoArt




two old lanterns made with a silicone mould and 
black acrylic, painted with Antiquing cream 'Patina Green
and highlighted with  Metallic Lustre 'Gold Rush'




only on some places with embossing powder



with crackle Glaze and Antiquing cream 'Patina Green) from DecoArt




from Sheet of Mini Nautical Motifs Style 4








I hope you feel even more inspired  now to create your own
 Steampunk piece or a project in industrial grunge style?!
I really enjoyed working on mine!!! 
Many thanks for stopping by!


Thursday, 15 November 2018

Christmas Baubles by Jennie

I have very happy memories of always making Christmas decorations as a child. I think my parents were very gracious at what artistic junk they probably allowed us put on the tree! 


So when I saw the circular Calico Craft Parts Christmas Baubles I just had to have a go at making a sort of simplistic honeycomb paper to go inside them. I have memories of making something similar from old papers and magazines !


This bauble uses ordinary book paper ....


..... and this one white tissue paper bought from my local supermarket.




It helps if you have a circular die to cut the papers but the circular pieces are easy to draw around and cut out to size.


Start with four circles of paper folded in half.


Open one up and put some PVA glue down the middle.


Add a folded circle to one side ......


...... and then the other.


Layer the final circle on top (you might need a little glue underneath to ensure it adheres).


Then fold everything to make a semi circle. 


Make three of these and glue together on top of each other. Then make three more sets to go into each of the segments.


The bauble pieces were painted with white acrylic paint and a gold pen run along the outside edges.


Then the front and back of each set of three circles was glued into the segment.


I did the same for the tissue paper but I made four lots of semi-circles for each segment as the paper is so much thinner.


I then added decorations .... handmade flowers and some purchased leaves.


The tissue paper bauble looks a bit more Christmassy with white flowers, berries and a Christmas sentiment.

I think this is certainly a project that my grandchildren aged 5 and 7 could easily handle so if you are looking for something to make with your children or grandchildren, this would be fun!

As always thank you for joining me today and happy crafting.

Jennie x


Calico Craft Parts used:







Monday, 12 November 2018

Trois Tableaux de ForĂȘt - by Claudia

Servus and welcome back to an "other Monday" over here on the Calico Craft Parts Blog, which means it is my time again to inspire you with a project done with quite a lot - but compared to the wide Calico range only a few - Craft Parts this time ;)

You all know about my love for the forest and autumn always is the time I love the forest most - it's as if an artist has covered a damp and soft canvas with all of his favourite tones and textures, the leaves explode in one final burst of colour before they begin to rot and fade away and all the little insects try to catch some warmth from the last shafts of sunlight before they start searching for a good place to hide and spend the winter in ... and you can almost smell it coming - but not yet.

I love old Flora and Fauna tableaux and illustrations and I wanted to create something that was a mix of that and my beloved dioramas...I hope I have succeeded!



They're all different sizes, depending on composition and on how large I wanted the mushrooms to appear. (for a larger view simply click on the images)








Calico Craft Parts used:

- Square Shape Greyboard Mixed Media Boards - Style 27 (different sizes)
- Common Toad - MDF Wood Shape
- Spotted Toadstools - Fungi MDF Wood Shape 14
- Fungi MDF Wood Shape - Style 11
- Fungi MDF Wood Shape - Style 10
- Maidenhair Fern MDF Wood Shape - Style 2
- Wild Grass MDF Wood Shape - Style 2
- Wild Grass MDF Wood Shape - Style 5
- Sheet of Mini MDF Label Holders Wood Shapes
- Sheet of Mini MDF Wood Butterflies - Style 6
- Sheet of Mini Insects - MDF Wood Shapes Style 3
- Sheet of Mini MDF Bees & Beehives


I had already prepared the panels in an extra session some days before. The greyboard squares were covered with a thorough coat of DecoArt Burnt Umber Student's Acrylic paint and once that had dried I quite randomly and loosely applied DecoArt media clear Crackle Glaze with a palette knife (and made sure some spots remained uncovered).
I left the Crackle Glaze to set over night and then went in with DecoArt media Antiquing Creams Titanium White, Patina Green and a mix of Raw Umber and Carbon Black as well. I added, wiped back, added more, wiped back...until I was content with the look. Then I sealed everything with a matte acrylic spray sealant.

To paint all my insects, mushrooms and plants, I browsed some books with illustrations and photographs to find my colour palette. Then I fetched all the according DecoArt media fluid acrylic paints (plus the large Titanium White Americana acrylic paint bottle) and created my palette, so I was ready to mix and paint away on my Craft Parts (which I had dry brushed in the first session with the left overs from the Burnt Umber acrylic paint I had used on the panels as a base layer).


DecoArt media fluid acrylic paints used:
Carbon Black, Prussian Blue Hue, Burnt Umber, Burnt Sienna, Transparent Red Iron Oxide, Transparent Yellow Iron Oxide, Yellow Oxide, Quinacridone Burnt Orange, Sap Green, Green Gold, Diarylide Yellow and Titan Buff


As you can see on my palette, I used the pure paints as well as mixes of them to paint my mushrooms (and all the other pieces)...mostly I started with Titan Buff or a mix of Titanium White with a shade of brown and/or green for the base layer and then went in with additional tones while the paint was still wet.

I also mixed tones on my palette but always blended these colour tones with the ones already added directly on the pieces while the paints were still wet (which works best if you only paint a very small area at a time as the paints dry really fast) - so I got subtle shading effects and transitions. The final touches were always the highlights and the darkest shades (done in Titanium White or Titan Buff and Carbon Black or a mix of that with brown) - also done wet on wet. If I found I had added too much black I went back in with more Titan Buff or more of the adjacent tone to reduce the darkened areas. You can go back and forth this way until you are content with the look.


I wanted my three mushrooms to each have a different tone - a blue-greenish one, a brown-orange one and a yellow-green-orange one that fused all three. I think the palette shows best which mixes I used and which were the most turned to tones during the process. Most parts were also blended together by adding thin washes (the same wash for all the pieces on the same panel).



I spent a lot of time and effort on detail and shading on the mushrooms and insects, while I painted the plants quite loosely, so they would not distract the viewer's eye from the true stars on my panels (though I have to admit that Maidenhairs Fern is a star too).

Once all my pieces had been painted, I found that my background panels needed some tweaking with DecoArt premium Green Gold and media Sap Green paint to visually "ground" the painted Craft Shapes. So I scraped these on with the very tip of a thin palette knife.


I used a dark green archival stamping ink and blending foam to darken the edges of the panels.


I also wanted my tableaux to have beautiful vintage labels on them, so I hand wrote three Latin names on a left over white paper scrap with a China ink pen (with a very fine tip as I chose the thinnest label size). Once that was dry, I added a wash with Transparent Yellow Iron Oxide on top to create the look of yellowed paper. I heat dried that and then glued the labels on top with matte DecoArt Decou-Page.

I also used the Decou-Page to glue all the pieces in place.


I added a generous amount of DecoArt Triple Thick to the panels...


...and DecoArt media Liquid Glass to the ant, the bee's eye and to the caterpillar's head.








(I loooove the texture on that bee - you just have to dry brush the wings
with a bit of Titan Buff and add a wash of Yellow Oxide and they look perfect!)



I also drew a thin outline with my ultra fine tip PITT artist pen around the panels' edges to repeat the label frames' shape.

This is how my palette looked once my panels were all done. I am always amazed by how far you get with just a little paint from the media fluid acrylic line!





Some close ups as usual:





























I hope you like my panels as much as I love them! It's always a great feeling to find your projects have come out the way you had planned them (or even better ;).

Thanks for stopping by and as always
hugs and happy crafting!

Claudia 
xxx